|  | 
Notes about the video
 This stop-motion and live-action short starring our dog, Gus, was filmed using a circa 1980 Super 8 camera.   All of the animated sequences were edited in camera one frame at a time, or, for   the driving sequence, shot in one second bursts.
This stop-motion and live-action short starring our dog, Gus, was filmed using a circa 1980 Super 8 camera.   All of the animated sequences were edited in camera one frame at a time, or, for   the driving sequence, shot in one second bursts.
 The   animated furball that starts the dream sequence required a collecting a winter's worth of    Gus's shed hair.
The   animated furball that starts the dream sequence required a collecting a winter's worth of    Gus's shed hair. 
Some may consider this arrangement of the song a derangement,   but the composer, Erik Satie, might appreciate this version. He and others made music using nontraditional instruments ninety years ago. In   his excellent Flabby Preludes for a Dog: An Erik Satie Primer,Kenneth   Goldsmith writes "his Parade (1917), a collaboration with Jean Cocteau,   Picasso, and Serge Diaghilev, rocks and rolls for 20 minutes and was the first classical work to employ a battery of sirens, car horns, typewriters, guns, and   blasting percussion."
			
The lead instrument is a blend of a kestrel falcon and gibbon monkey, punctuated with a reedy goose bark. The snare drum is a composite of burning firewood, a shrike and a crackle of thunder. A lion snarl, a cougar snarl and a wildcat snarl blend to mimic a bass drum. The breathy, screeching trumpet-like three note refrain that ends each verse is a gibbon monkey.
To hear more animal music, visit
	   	          the Animal Music page.
		  


 
 

